Sumi-e - the art of ink painting
The earliest sumi-e artists in Japan were Zen Buddhist monks. Ink brush painting was a part of their spiritual practice. This website explains beautifully the contemplative and spiritual aspects of sumi-e, its roots in Zen Buddhism and the great time and discipline that goes into mastering this art. I won't go into too much detail about the history here (read the link I provided above), but ink brush painting did develop in China first during the Tang Dynasty (618-907) and eventually was brought to Japan via Zen Buddhist monks. Like all art in Japan it was adapted and took on a style all its own. Nevertheless, it retains many similarities to Chinese ink brush painting. The same materials and the same type of strokes are used in calligrahy which is also considered an art form in China and Japan. For more information and links about ink painting see this wiki page.
STORY: The Boy Who Drew Cats: A Japanese Folktale by Arthur A. Levine
I read this delightful children's story aloud which includes some ink brush style illustrations. The story is based on a Japanese folktale and tells of a boy who liked to draw (or paint) cats with his brush and ink. At a time of great need one of his paintings comes to life. I have seen this story re-told in other books about Japan for children so if you don't have copy of this book at your local library you might find the folktale told in another book. Here you will find a list of some other renditions of the story.
For those using Story of the World, this lesson can be a nice addition to the chapters on medieval Japan since Sesshu lived during that time period and ink painting was very popular in the 13th and 14th centuries.
EXAMPLES OF ART: For this lesson I concentrated on the artists Sesshu Toyo and Ike no Taiga. There are many Japanese painters though so check out your local library for any books on Japanese art. You will likely find some lovely examples of ink brush painting to show your children. Ike no Taiga lived during the Edo Period (18th century). Sesshu Toyo lived during the middle Muromachi Period (15th century) and was the most important painter of his time. I used the book How to Look at Japanese Art. I especially pointed out two landscapes painted by Sesshu Toyo. One is a softer landscape (picture at the top of this post) and one is a winter landscape. I asked the children to tell me some differences they noticed in these paintings. Some things to point out: the softness and mistiness of the first landscape in contrast to the sharp angles of the second (winter) landscape. I asked which landscape had more of a feeling of harshness or coldness than the other without telling them the titles of these pictures. You can show your students other ink brush paintings by these or other artists found in Japanese art books from your local library or from online sources such as this.
PROJECT: Sumi-e with actual sumi-e brushes, ink and rice paper.
See this handout for the Japanese names for the "Four Treasures".
Suggested Supplies for this project:
*sumi-e ink brush
*black sumi-e ink (or black watercolor paint)
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*inkstone (or small container for ink)
*heavier paper to place under rice paper
(you may need a waterproof cloth under this paper also if your table is not very washable)
*larger container of water for rinsing brushes
*paper towels for blotting brushes
For this project I purchased some sumi-e brushes from my local arts and crafts store. The ones I bought came in a packet of three brushes of various sizes. I just bought enough for each child to have one brush and didn't worry too much about the size. The brushes have bamboo handles and are similar to
The children used the inkstones they made in the previous week's class from self hardening black clay. You could also use a small plastic container for the ink instead of an inkstone.
You will need to place something under the rice paper as it is very thin and the ink will leak through. I just used some butcher type paper underneath, but we were also using tables that could easily be washed. This project has the potential to be messy depending on the child so make sure your table is well protected and that the kids are wearing old clothes or smocks. It definitely depends on their age and personality as to whether they will get very messy! The children will also need a container of water to rinse their brushes and a folded paper towel to blot excess water from their brush. Make sure the children are gentle with the brushes and when dipping the brush in the ink they should wipe excess ink off of the brush on the side of the inkstone and make the brush come to a point.
I also gave the students a handout that includes some basic terms related to sumi-e (ink brush painting). I went over some of these terms in class.
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